Classical Alive, Still Alive

ACMA’s chamber music group dazzled an attentive audience on Wednesday, November 4th, at their first concert of the year. It was the first time that both the musicians and the audience were seated on the mainstage, creating a uniquely intimate setting. They played three pieces: the Scherzo from Beethoven’s Quartet Op. 18, No. 1; the Andante Semplice from Madeleine Dring’s Trio for Flute, Oboe, and Piano; and the first movement of Haydn’s Symphony No. 101, arranged by Dogwood for quintet. The program provided an uncommon blend of pieces from different time periods, including baroque, 20th century, and classical.

All of the musicians were wonderful, as usual. Connor Foubister, concertmaster of the ACMA Classical Orchestra and a familiar face in Classical Alive, played first violin in both the quartet and the quintet.

Connor’s prowess on his instrument was undeniable as he effortlessly played technical passages as well as beautiful melodies, and was truly inspiring to hear and watch. Other returning members were Jessie Lu on flute, Philip Wirfsmith on viola, Madeline Okano on violin, Emily Forsman on oboe, and Amelia Vassalo on piano. In past years, Vassalo was forced to play her piano parts on a synthesizer, but the use of a real piano at this concert allowed her talent to shine through.

Classical Alive also welcomed some newer members this year, including Luca Berti on viola, Harrison Richter on piano, Gus Doggett on cello, and Emily Gehrig on the violin. Gehrig was particularly impressive, with a surprising amount of musical ability for a 7th grader, and played alongside Madeline Okano, a senior, in the Haydn quintet.

Of course, the concert would not have been the same without the guidance of Maryann Campbell, who procured the music, organized the ensembles, directed rehearsals, and is instrumental in all aspects of Classical Alive. The next concert is on April 6th, and know that it is not an event to be missed!

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